Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Schenkman, Walter: Three Collections of Keyboard Works by C. P. E. Bach -- Part II. Bach 9/1 (Jan 1978), 2-14, 23-25. | |
| 2. | Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia. Bach 9/1 (Jan 1978), 15-22. | |
| 3. | Smith, Mark M.: A Deceptive Edition of the Bach 'Cello Suites. Bach 9/1 (Jan 1978), 26-29. | |
| 4. | Hammel, Marla: The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II. Bach 9/1 (Jan 1978), 30-36. | |
| 5. | Joseph, Charles M.: Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830. Bach 9/2 (Apr 1978), 2-16, 25-27. | |
| 6. | Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half]. Bach 9/2 (Apr 1978), 17-24. | |
| 7. | Leaver, Robin A.: The Valuation of Bach's Library. Bach 9/2 (Apr 1978), 28-32. | |
| 8. | Goldstein, Michael: In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] Bach 9/2 (Apr 1978), 33-36. (Translated from the German by George A. Kochevitsky of New York City.) | |
| 9. | Hammel, Marla: The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III. Bach 9/2 (Apr 1978), 37-39. | |
| 10. | Harriss, Ernest C.: J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. Bach 9/3 (Jul 1978), 2-8. | |
| 11. | Leaver, Robin A.: Bach and Luther. Bach 9/3 (Jul 1978), 9-12; 25-32. | |
| 12. | Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. Bach 9/3 (Jul 1978), 13-24. | |
| 13. | Schenkman, Walter: Portrait of Mattheson, the Editor, Together with His Correspondents, Part I. Bach 9/4 (Oct 1978), 2-10. | |
| 14. | Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV. Bach 9/4 (Oct 1978), 11-22. | |
| 15. | Herz, Gerhard: A Bach Signature in the Possession of Gerhard Herz. Bach 9/4 (Oct 1978), 23-24. | |
| 16. | Zenck, Hermann: Bach no Heikinritsu Clavier Kyokushu. BachSosho 9 (1978), 123-158. Trans from German (J. S. Bachs Wohltemperiertes Klavier) by Ichiro Sumikura. | |
| 17. | Besseler, Heinrich: Bach to Chusei. BachSosho 9 (1978), 159-179. Trans. by Yoko Goto. [Bach and the Middle Ages / Bach und das Mittelalter. ] | |
| 18. | Gurlitt, Wilibald: Bach no Sakuhin ni okeru Rekishiteki Onkyozo. BachSosho 9 (1978), 181-200. Trans. by Tatsuo Fukuda. [Historical sound image in Bach's work / Das historische Klangbild im Werk J. S. Bachs] | |
| 19. | Krüger, Walther: Bach to Jidai Seishin. BachSosho 9 (1978), 201-222. Trans. by Mitsunobu Nakao. [Bach and the spirit of the time / Bach und der Zeitgeist] | |
| 20. | Rebling, Eberhard: Bach to Gori Shugi. BachSosho 9 (1978), 223-235. Trans. by Mitsunobu Nakao. [Der Rationalismus, eine Grundlage des Bachschen Realismus.] | |
| 21. | Blankenburg, Walter: Bach to Keimo Shugi. BachSosho 9 (1978), 237-250. Trans. by Kozo Uemura. [Bach and the enlightenment / Bach und die Aufklärung] | |
| 22. | Benz, Richard: Bach no Junankyoku. Saigiteki Higeki no Imi. BachSosho 9 (1978), 25-66. Trans. Japanese by Akira Ogishi. [Bachs Passion. Vom Sinn der kultischen Tragödie] | |
| 23. | Eggebrecht, Hans Heinrich: Bach to Leibniz. BachSosho 9 (1978), 251-264. [Bach und Leibniz. Trans. by Ken'ichi Sakata] | |
| 24. | Blume, Friedrich: Roman Shugi Jidai no Bach. BachSosho 9 (1978), 265-288. Trans. from English (Bach in the Romantic Era) into Japanese by Ichiro Sumikura. [Bach in the Romantic Era] | |
| 25. | Serauky, Walter: Bach - Händel - Telemann. BachSosho 9 (1978), 289-322. | |
| 26. | Vetter, Walther: Mozart to Bach. BachSosho 9 (1978), 323-340. Trans. by Midori Kobayashi. [Mozart and Bach.] | |
| 27. | Besseler, Heinrich: Bach no Weimar Kyosho Jidai. BachSosho 9 (1978), 341-359. [Die Meisterzeit Bachs in Weimar.] | |
| 28. | Blume, Friedrich: Bach no Seinen Jidai. BachSosho 9 (1978), 361-402. [Der junge Bach.] Trans. by Sei Honda. | |
| 29. | Sumikura, Ichiro (ed.): Bach no Sekai. Tokyo: Hakusui-sha. 1/1978, 2/1981. 413, 31p. [Bach's World. With a commentary.] [contents] | |
| 30. | Dürr, Alfred: Bach no Kyokai Ongaku. Sono Kako to Genzai. BachSosho 9 (1978), 67-83. Trans. Japanese by Mihiko Adachi. [Johann Sebastian Bachs Kirchenmusik in seiner Zeit und heute.] | |
| 31. | Geiringer, Karl: Bach no Ongaku ni okeru Shochoho. BachSosho 9 (1978), 7-24. Trans. by Sei Honda. [Symbolism in the Music of J. S. Bach.] | |
| 32. | Besseler, Heinrich: Bach ni okeru Seikaku Shudai to Taiken Keishiki. BachSosho 9 (1978), 85-121. Trans. by Mariko Teramoto. [Charakterthema und Erlebnisform bei Bach.] | |